Art

These museum-quality prints are designed by artist Liz Roache, who trained and taught with Ati Gropius Johansen, daughter of Bauhaus founder Walter Gropius, for 30 years. Inspired by her Bauhaus background and meant to engage conversation, each focuses on one aspect of either color or design. In this print, each amount of red allows the…

Drawing 6 by French designer and artist Ronan Bouroullec is part of a series of framed posters offered by The Wrong Shop. Founded by Sebastian Wrong, this U.K.-based company was established to make unique artwork which is both affordable and well-presented. Its collection of posters ‘ which Wrong sees as a contemporary, considered take on…

For this piece, Scott Sueme designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.

For this piece, Scott Sueme designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.

For this piece, Laura Naples’ original painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; signature in image.

Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. He was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s first open-plan office system, called Action Office. He responded with more than 40 images for Environmental Enrichment Panels (1972), which are now available as quality, high-resolution…

The Sweet Corn Picnic Poster is as much a part of the Herman Miller canon as the Eames Lounge Chair. It was the first of 20 posters designed for the company’s annual employee picnic, and the first assignment given to Stephen Frykholm, who’d just been hired as Herman Miller’s first in-house graphic designer. Frykholm went…