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Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Under the creative direction of Stephen Frykholm, designer…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
Based in Milan, Stories of Italy is a design studio that uses time-honored techniques to create beautifully crafted modern objects. Their Macchia Collection resulted from an innovative approach to the traditional Venetian macchia technique, in which patterns are created by repeatedly fusing colored glass powders and flakes. Up to 5 different layers are needed to…
Named for a famous 1913 essay on modern design by architect Adolf Loos, Gabriel Tan’s Ornament & Crime Sculpture is a beautifully hand-carved, modern interpretation of a traditional mask. Crafted from smoked ash, the sculpture can be hung on the wall, placed on a table, or displayed on a stand. Each handmade piece is unique…
Add a smile to your daily routine with the fun and functional Max Dinnerware Plate (1964) from Heller. An iconic collection by Italian designers Lella and Massimo Vignelli, Hellerware won the prestigious Compasso d’Oro Award for Good Design upon its debut. When it arrived stateside in 1971, Hellerware became an instant kitchen staple, adding color…
Cult floral designers Taylor Darroch Putnam and Michael Putnam’s Flower Color Theory, the follow-up to their acclaimed global bestseller, Flower Color Guide, is the only guide that uses color theory as the starting point for floral design. The book features 175 arrangements that show myriad ways to combine flowers of different shades and hues, all…
Architectural practice today goes far beyond the design and construction of buildings ‘ the most exciting, forward-thinking architecture is also found in digital landscapes, art, apps, films, installations, and virtual reality. In this timely book, the work of award-winning architects, designers, artists, photographers, writers, filmmakers, and researchers ‘ all of whom synthesize and reflect our…
Crafted by R’os Tweed, a leading Norwegian producer of fine textiles, Fri (2020) is a soft and lightweight lambswool throw inspired by small rectangular tablecloths called ‘l’ere,’ which can be found in mountain cabins all over Norway. In this interpretation, bands of vibrant color in randomized thicknesses are accented by a meandering zigzag texture. Made…
Produced by several companies in the 1950s, this piece was never trademarked, and its designer was never identified. A passionate collector of midcentury modern design and a fan of the original, Kelley Sandidge decided to create her own version of the Bullet Planter (2002) after her search for vintage ones in good condition proved mostly…
Herman Miller has reintroduced a series of archival posters that capture the boldness, artistry, and personality of the company’s design history in vibrant graphic form. Designed in 1981, the ‘Chadwick Modular Group’ poster by graphic artist Steve Frykholm offers a top-down view of the playful twists and turns that define Don Chadwick’s striking sofa system….
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
The Sweet Corn Picnic Poster is as much a part of the Herman Miller canon as the Eames Lounge Chair. It was the first of 20 posters designed for the company’s annual employee picnic, and the first assignment given to Stephen Frykholm, who’d just been hired as Herman Miller’s first in-house graphic designer. Frykholm went…
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