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Walter Gropius, German architect and founder of the Bauhaus School, was a powerful influence in the development of modernism. In the mid-1960s, a friend commissioned him to design some dinnerware, which ultimately led to TAC 02 Dinnerware (1969), named after Gropius’ firm, The Architects Collaborative. Concise in its minimal geometric form and firmly in the…
For her Toskaft Throw (2017), Oslo-based designer Sara Wright Polmar was inspired by a photograph of striking curtains that designer Annelise Knudtzon conceived in the 1970s for R’os Tweed, a leading producer of fine Norwegian products renowned for its rich tradition of textile production. Woven from Norwegian wool, Toskaft features a meticulously brush-finished surface, bold…
Inspired by elements of the natural world, product designer Sophie Lou Jacobsen offers a new perspective on everyday objects through her use of color and form. Jacobsen infuses her work with a sense of playful sophistication, adding a dash of whimsy to everything she creates. Crafted of borosilicate glass, which is praised for its durability…
Jens Risom: A Seat at the Table by Vicky Lowry (Phaidon) is the first monograph of the Danish-American designer’s work, surveying his life, prolific career of influential designs, and his legacy. Risom helped introduce Scandinavian design to the U.S., first for Knoll and then through his own company. Metlmarvelst was honored to collaborate with him…
Though he describes himself as ‘a self-educated maverick whose only qualification is a one-day course in plastic bumper repair,’ Tom Dixon is one of England’s most influential designers, bringing powerful creative energy to furniture, lighting, interiors and accessories. To create his Brew Coffeeware (2015), Dixon used stainless steel to create hyper-polished objects that take on…
The Essential Dinnerware collection forgoes superfluous embellishment in favor of simplicity, emphasizing only what is essential. This approach of reducing a design to its essence results in pieces that are at once functional and timeless. Crafted of durable, scratch-resistant stoneware, the Essential Dinner Plate features a slightly footed bottom. It’s oven, microwave, and dishwasher safe….
An instant hit when it launched in 1971, this reissue of Lella and Massimo Vignelli’s Max1 Dinnerware (1964) remains a modern classic. Sleek, stackable, and fun ‘ it’s sure to put a smile on your face. Service for six includes: Eight 5′ maxbowls; two 5′ maxbowl lids; one 9.75′ maxbowl; one 9.75 maxbowl lid; six…
Elevate the mood around the dining table with these playful pieces by dynamic Italian designer Joe Colombo. Originally designed in 1968, the Sferico Glassware features lively shapes in artisan mouth-blown lead- free crystal. Made to hold everything from water to wine ‘ even ice cream ‘ Colombo’s series of glasses will bring a sculptural and…
The Sweet Corn Picnic Poster is as much a part of the Herman Miller canon as the Eames Lounge Chair. It was the first of 20 posters designed for the company’s annual employee picnic, and the first assignment given to Stephen Frykholm, who’d just been hired as Herman Miller’s first in-house graphic designer. Frykholm went…
For this piece, Paola Rodriguez Arias created an original acrylic work on paper that has been printed as a high-quality limited edition archival print on acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It is archivally framed with…
The Chapter Outdoor Pillow (2023) brings the colorful pop of British designer Paul Smith’s textiles to alfresco living. Exclusive to Metlmarvelst, its quietly variegated neutral weave features subtly raised tonal stripes for textural interest. It’s made of high-performance, solution-dyed outdoor fabric and filled with fast-drying polyester fibers. Made in the U.S.A.
For this piece, Carrie Crawford’s original artwork has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Tess Planter