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Herman Miller has reintroduced a series of archival posters that capture the boldness, artistry, and personality of the company’s design history in vibrant graphic form. Originally created in 1978, the swooping lines and bold primary colors of John Massey’s ‘Action Office 2’ poster exemplify the idealism, playfulness (and love for Helvetica) that would come to…
These museum-quality prints are designed by artist Liz Roache, who trained and taught with Ati Gropius Johansen, daughter of Bauhaus founder Walter Gropius, for 30 years. Inspired by her Bauhaus background and meant to engage conversation, each focuses on one aspect of either color or design. In this print, any two colors can work together…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. He was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s first open-plan office system, called Action Office. He responded with more than 40 images for Environmental Enrichment Panels (1972), which are now available as quality, high-resolution…
For this piece, Scott Sueme designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The Four Coconuts Ad (1956) by Don Ervin…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Designers Philip Mitchell and Stephen Frykholm collaborated on…
For this piece, Stacey Beach created an original ink drawing that has been printed as a high-quality limited edition archival print on acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It is archivally framed with acrylic Plexiglas and…
For this piece, Stacey Beach created an original ink drawing that has been printed as a high-quality limited edition archival print on acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It is archivally framed with acrylic Plexiglas and…
For this piece, Adrian Kay Wong designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
For this piece, Kayla Plosz Antiel’s original painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
For this piece, Adrian Kay Wong designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
Knees Bent, Arms Stretch by William Luz
1 × $19.04 
I'd Sooner Put Some Joy Back by Carrie Crawford
1 × $933.75 
To The Midnight Beat by Carrie Crawford
1 × $933.75 
Loretta by Laura Naples
1 × $708.75 
Lillem II by Laura Naples
1 × $933.75 
Watermelon Picnic Poster
2 × $895.00 
Us Beneath It All by David Esquivel
1 × $708.75 
Tsundoku by Adrian Kay Wong
1 × $119.00 
You Turn by William Luz
1 × $19.99 
Hand & Dove' by Alexander Girard
1 × $23.32 
Coconut Chair Print
1 × $15.52 
Teal Arch at Night in Green Light by Aschely Vaughan Cone
1 × $708.75 
Then We Grew by David Esquivel
1 × $20.19 
Girard Eyes
1 × $13.69 
Sitting Watching Rainbows by Carrie Crawford
1 × $708.75 
Nelson Pop Art Purple Triangles Poster
1 × $16.95 
In Motion by Paola Rodriguez Arias
2 × $30.99 
Mono V by Arielle Zamora
1 × $33.84 
A Tinge of Orange by Adrian Kay Wong
1 × $30.95 Subtotal: $7,800.72
