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While textile design was the primary focus of Alexander Girard, he was also admired for his work in furniture design, graphics, exhibitions, and interior architecture. Girard brought a sensuous playfulness to 20th-century design that had been absent from the austere aesthetic of classic modernism. He devoted the same level of attention to every interior: Ceilings,…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The Nelson Pop Art Triangles Poster was designed…
For this piece, New York-based artist Aschely Cone explored her interest in patterning, asymmetry, and doubling with an artwork that is a study in dichotomies. Her painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The eye-catching Face Print (1979) by Irving Harper…
For this piece, Adrian Kay Wong designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. He was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s first open-plan office system, called Action Office. He responded with more than 40 images for Environmental Enrichment Panels (1972), which are now available as quality, high-resolution…
Herman Miller has reintroduced a series of archival posters that capture the boldness, artistry, and personality of the company’s design history in vibrant graphic form. Japanese-American designer Tomoko Miho transformed corporate graphics in the 1960s with her use of saturated colors and precise geometric patterns. The ‘Herman Miller Brochure Covers’ poster captures her meticulous skill…
For this piece, Adrian Kay Wong designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The Nelson Pop Art Four Color Block Poster…
Drawing 12 by French designer and artist Ronan Bouroullec is part of a series of framed posters offered by The Wrong Shop. Founded by Sebastian Wrong, this U.K.-based company was established to make unique artwork which is both affordable and well-presented. Its collection of posters ‘ which Wrong sees as a contemporary, considered take on…
For this piece, Carrie Crawford’s original artwork has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. He was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s first open-plan office system, called Action Office. He responded with more than 40 images for Environmental Enrichment Panels (1972), which are now available as quality, high-resolution…
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