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Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Designers Philip Mitchell and Stephen Frykholm collaborated on…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
William Luz created this original silkscreen print on archival acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It’s archivally framed with acrylic Plexiglas and a matte wood frame. All of Luz’s work is screen-printed by hand at Du…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
The Sweet Corn Picnic Poster is as much a part of the Herman Miller canon as the Eames Lounge Chair. It was the first of 20 posters designed for the company’s annual employee picnic, and the first assignment given to Stephen Frykholm, who’d just been hired as Herman Miller’s first in-house graphic designer. Frykholm went…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. One of the most frequent requests is for…
For this piece, Kayla Plosz Antiel’s original painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
For this piece, Portland, OR-based painter Arielle Zamora created an original monotype that has been printed as a high-quality archival print on acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It is archivally framed with acrylic Plexiglas and…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Linda Powell’s 1979 poster designed to advertise the…
William Luz created this original silkscreen print on archival acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It’s archivally framed with acrylic Plexiglas and a matte wood frame. All of Luz’s work is screen-printed by hand at Du…
William Luz created this original silkscreen print on archival acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It’s archivally framed with acrylic Plexiglas and a matte wood frame. All of Luz’s work is screen-printed by hand at Du…
For this piece, Scott Sueme designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Mono VI by Arielle Zamora