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For this piece, Carrie Crawford’s original artwork has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
For this piece, Laura Naples’ original painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; signature in image.
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Designers Philip Mitchell and Stephen Frykholm collaborated on…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
For this piece, New York-based artist Aschely Cone explored her interest in patterning, asymmetry, and doubling with an artwork that is a study in dichotomies. Her painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The Nelson Pop Art Triangles Poster was designed…
Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. Linda Powell’s 1979 poster designed to advertise the…
Herman Miller has reintroduced a series of archival posters that capture the boldness, artistry, and personality of the company’s design history in vibrant graphic form. Originally created in 1978, the swooping lines and bold primary colors of John Massey’s ‘Action Office 2’ poster exemplify the idealism, playfulness (and love for Helvetica) that would come to…
For this piece, Adrian Kay Wong designed an original digital artwork that has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The Nelson Pop Art Two Split Circles Poster…
Herman Miller has a long tradition of styling its physical spaces with bold ads and graphics, a process it calls ‘environmental enrichment.’ Fans of the brand often ask where they can find these works of art, which prompted the company to reprint select pieces from its archives. The eye-catching Face Print (1979) by Irving Harper…
Knees Bent, Arms Stretch by William Luz