Art

Drawing 16 by French designer and artist Ronan Bouroullec is part of a series of framed posters offered by The Wrong Shop. Founded by Sebastian Wrong, this U.K.-based company was established to make unique artwork which is both affordable and well-presented. Its collection of posters ‘ which Wrong sees as a contemporary, considered take on…

For this piece, Kayla Plosz Antiel’s original painting has been printed as a high-quality archival inkjet print on Epson Hot Press acid-free paper, made of 100% cotton rag. This artwork is archivally framed with UV-filtering acrylic Plexiglas and a matte wood frame. Open edition; unsigned.

Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…

William Luz created this original silkscreen print on archival acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this limited-edition artwork print is custom-framed and exclusive to Design Within Reach. It’s archivally framed with acrylic Plexiglas and a matte wood frame. All of Luz’s work is screen-printed by hand at Du…

The Sweet Corn Picnic Poster is as much a part of the Herman Miller canon as the Eames Lounge Chair. It was the first of 20 posters designed for the company’s annual employee picnic, and the first assignment given to Stephen Frykholm, who’d just been hired as Herman Miller’s first in-house graphic designer. Frykholm went…

Laura Naples’ original painting has been printed as a high-quality archival print on acid-free paper, made of 100% cotton rag. Created in collaboration with Uprise Art, this artwork print is custom-framed and exclusive to Design Within Reach. It’s archivally framed with acrylic Plexiglas and a matte wood frame. Open edition; unsigned.

Alexander Girard was the director of design for Herman Miller’s textile division from 1952 to 1973. Toward the end of his tenure, he was asked to add an element of ‘aesthetic functionalism’ to Herman Miller’s very first open-plan office system, called Action Office. He responded with more than 40 images for the Environmental Enrichment Panel…